‘Be The People’ Aims To Drive Community Through Music 

Whether you are a dreamer who believes music can change the world or you’ve given in to cynicism and scoff at the notion, there is absolutely no denying few things in things in this world have the power to unite the way music does. 

You see it at clubs, arenas, and stadiums every day around the world. People across generations, religions, races, and yes, even political parties, banding together to sing along to “Hey Jude” with Paul McCartney or whatever your favorite song is. Hell, look at the 2007 Led Zeppelin reunion show. People from 50 different countries applied for tickets to the show. I guarantee you not all those countries got along. And the fans dreaming of tickets didn’t care who else was there; they just cared about seeing Led “Fucking” Zeppelin.

It’s that ability of music to transcend all barriers that the organizers of “Gotta Be Us (Be The People),” a call to action and a new single, produced by five-time Grammy nominee Poo Bear, are counting on. Uniting up and coming artists Momo Boyd, Trevor Jackson, Smino, Sadie Rose Van, Luke Borchelt, and the VCU Black Awakening Choir in the worlds of country, rap, R&B, pop and soul, the infectious plea for unity is intended to stir up action and remind people that no matter how dire the times seem on a global and national level, the heart of America is beating strongly in the communities that remain the soul of the country.

The rollout began with the track going to streaming services last Friday (June 12, 2026).

It’s all part of a hugely ambitious plan to inspire Americans to give back on a local level. 

If the artists involved, other than Poo Bear, are new names, those involved in the leadership council – such as Goodwill, Jon Batiste, the NBA, Habitat For Humanity, Special Olympics, Martin Luther King III, and more – highlight the drive of the campaign to inspire people to get involved on a local level. 

‘Gotta Be Us (Be The People)’ is a song about how each of us has a role to play in our country today,” said Poo Bear. “If we want a future that’s even better than our past, it’s up to all of us to show up and help solve problems together.”

Hit Parader spoke with rising country star Luke Borchelt, who represents the artist’s side of the song, and Scott Strode, Founder and Executive Director of The Phoenix, about the philanthropic portion of the campaign. 

Cred. Press Provided

Hit Parader: How did you get involved in the song?

Luke Borchelt: This all came about in the last month. I come from a non-profit background, so I was eager to do something that gets people together and is trying to celebrate the community.

HP: What kind of nonprofit background? 

Borchelt: I started in the humanitarian aid space. My last career before full-time music was nonprofit impact work in disaster relief for an organization called Mercy Chefs, based in Virginia. So, I was so excited to get back into that space. I worked on the volunteer and distribution side.  I would assist the chefs. 

HP: Did you all record together, or was it done individually? 

Borchelt: I was in New York with Poo Bear and the rest of the creative team. We’re all going to get together for these shows coming up. That’s what I’m most excited about, I’m about to hang with everyone today.  Most of the time nowadays in music, honestly, you wouldn’t even expect to get in a room at all. It would be more like send it in. But I thought it was cool that Be The People wanted us to come in to record the song with Poo Bear, have it be a collaborative in-person effort. I’ve gotten to know the team a lot at Be The People. I’ve been hanging with and communicating with them since this whole process started. We were just in Birmingham two days ago shooting my part of the music video. So, I feel really close with the team, and I’m excited to get close with the singers as well. 

HP: How gratifying has it been being involved in this project?

Borchelt: It’s really cleansing to work on something that is not just my art, it’s all of us, and it’s someone else’s vision. I love to be a part of this. It’s the highest level of music I’ve been involved in. Poo Bear is someone that I would not be in the room with normally. So, to be at working at the highest level and around such storied professionals — even Trevor, Sadie Momo and Shmino — that part feels cool too because it’s a higher level of talent and professionalism. A lot is in the country space, but to be around people in R&B, hip hop and pop, the talent is another level.

HP: The world feels more divided than it’s been in so long. And music feels so unifying, for lack of a better term. 

Borchelt: I think music and community are the things we all have in common. And I’m excited for the open call portion of this project because it’s going to let people in their own communities interpret the song in their own way. I think making a point to bring that out to the community is going to be cool. And I find that that will help the music continue to heal and bring us together. 

HP: What does this project mean to you?

Scott Strode: For me, the Be the People initiative lands at just a really important time for our country. The song really embodies this idea that…I love the line in there that says, “The dream isn’t dead. It’s just waiting on us”. We, the people, can be the people that our country needs right now.

HP: Talk about the narrative of what community means to you and why a song like this is important now.

Strode: Because individually, things are not nearly as desolate as they seem. In my everyday work, I don’t actually see the hatred and division and all the stuff that we see in our algorithms and 24-hour news. What I see in my work with people coming out of addiction and struggling with mental health and social isolation is I see people coming together every day and lifting each other up. I’m in our gym now in Boston, and we have folks that come from reentry programs out of the criminal legal system. We have folks that are coming out of halfway houses and treatment programs or out of homelessness. They’re actively on the street. And we also have firefighters and first responders, and the police cadets do their physical fitness here, so we’re seeing people come together and lift each other up. That might just be in a workout, we’re pushing through a hard workout together, and we’re fist-bumping at the end of that. But it doesn’t matter if you’re in the fire department or you have an ankle monitor on because you’re coming out of the criminal legal system. We’re lifting each other up in that workout. And the volunteer who’s leading the class is sharing a gift and passion they have for whatever activity it is. What I see is really the spirit of this song every day, where we come together. When you go from the me to the we, that’s the magic. And by doing so, you too are lifted. When you help somebody else out in a time of need, it also lifts you. I actually don’t think we’re as divided as people might think. It’s sometimes the loudest voices on the fringe end up being the only thing we hear. That’s what America is: we’re there for each other when we need each other.

HP: How does music help deliver this message?

Strode: I think this approach of doing it through music is so powerful because music’s been driving culture in our country since our country was founded. And it’s been present and a leader in the biggest transition moments of our nation. So, to have music come together now in this time and lift up this issue and idea that we are one and we can lift each other up, and we can spread hope and opportunity and empowerment to each other is going to drive culture again in this moment. I think now is the time for all of us to find the place where we can be the people. For some, that might mean volunteering for the Phoenix and helping those coming out of addiction or helping those struggling with mental health stuff. For others, it might be using your gift as an artist to tell this story and help this story reach more people. 


‘Gotta Be Us (Be The People)’ is out now.

YUNGBLUD at The Greek Theatre

Seeing YUNGBLUD’s sold-out show Friday at the Greek Theater made me realize how important family, community, and human connection really are. 

That feeling started when the opening band, The Warning, came out and instantly caught my attention. At first, they just seemed unbelievably in sync. Every drumbeat, every guitar riff, every pause felt perfectly timed down to the millisecond, yet somehow effortless at the same time. I couldn’t figure out why until Daniella Villarreal introduced herself along with the other members, Paulina and Alejandra, and I realized they were sisters. 

Suddenly, everything clicked

They’ve been performing together for over 13 years, starting as a small cover band from Monterrey, Mexico, after their cover of Metallica’s “Enter Sandman” went viral. Now they’re touring arenas around the world. Watching them felt like watching a sibling connection come to life. They were peaceful yet chaotic, intense yet completely connected. And honestly, that’s what siblings are. There’s arguing, forgiveness, chaos, and love all mixed together. Every loud drumbeat almost felt symbolic, like every past argument floating away into the air while they created something beautiful together. 

It only felt fitting that my older brother was there with me. 

As the loud rock music filled the arena, I started noticing something quieter underneath it all. As I looked around, I realized how many families were there together. Parents with kids, siblings, friends with their arms around each other. For a generation constantly glued to phones, this felt different. This was the only concert I’ve been to where I saw more people cheering together than on their phones recording. People crave real community now more than ever. Everyone was actually living in the moment instead of watching it through a screen. Music was bringing people together in real life. 

Then it was finally time for YUNGBLUD to come out


Cred. Tom Pallant

Before he even stepped on stage, the word “hello” appeared across the screens in multiple languages. It instantly made the entire arena feel welcoming, like no matter what your background, everyone belonged there that night. We were all there for the same reason: to let go for a few hours and just feel alive while jamming out to some rock n roll. 

Then, suddenly, confetti exploded through the crowd. 

It felt like all of our worries were being thrown into the air alongside it. For a second, nothing else mattered besides just being there in the moment. 

And once he hit the stage, the energy completely exploded. 

Besides making amazing music, he is one heck of a performer. At one point, he randomly jumped off the stage and started climbing the arena handrails while yelling, “ARE YOU MOTHERF***ERS READY?!” The crowd went insane, everyone cheering, some even holding their breaths… Hoping he didn’t fall. Eventually, he ended up standing on a chair in the middle of the crowd, continuing to scream. From that moment on, I knew this concert was going to be unlike anything else. 

Cred. Tom Pallant

When he started performing “Lowlife,” the entire arena loosened up even more. Everyone screamed the “La-La-La” lyrics together, and for the first time, I fully looked around the crowd and realized there wasn’t a single empty seat in the place. I really tried to find one for a good minute, but I couldn’t. Thousands of people from all over Los Angeles had come together for this moment. 

One of the most emotional moments of the night came when YUNGBLUD dedicated Black Sabbath’s “Changes” to his late mentor and friend, Ozzy Osbourne. Before starting the song, he told us we needed to sing loud enough for Ozzy to hear us from heaven, especially because Ozzy’s family was in the audience.  As soon as the crowd heard this, they instantly understood the assignment. This is one of my favorite songs, so I was screaming at the top of my lungs.  Everyone sang together like one giant family. You could hear the raw emotion in YUNGBLUD’s voice during that performance, and honestly, it gave me chills

Of course, in true YUNGBLUD fashion, he made the crowd stick out their tongues. My brother and I doing that together reminded me of when we were little kids. YUNGBLUD even started calling out people who refused to do it, projecting them on the giant screen until they finally gave in. The entire arena was dying laughing. At one point, the cameraman showed this one kid absolutely rocking out with his tongue out, throwing devil horns, and headbanging so hard that it caught YUNGBLUD’s attention enough that he not only brought him on stage, but he put him on his shoulders. I’ve never seen an artist interact with fans so personally before. 

But beyond the chaos and fun, what made this concert really special during Mental Health Awareness Month was how openly YUNGBLUD talked about mental health. 

Cred. Tom Pallant

When he performed “The Funeral” and the crowd screamed, “I hate myself, but that’s alright,” it didn’t feel hopeless. It felt real. YUNGBLUD has always been open about his own struggles with intrusive thoughts and insecurity, and instead of pretending those feelings don’t exist, he talks about learning how to live alongside them without letting them completely take over his life. I think that honesty matters a lot right now because social media makes it seem like everyone else has everything figured out when they really don’t. He serves as a reminder that even successful artists struggle with their mental health.  

He constantly reminds fans that they are not alone, and he backs those words up with action. He has worked with organizations like Mind, where he pledged to donate £1 (up to £25,000) split between Mind and Sound Mind Live for every use of the “Breakdown” CapCut/TikTok template. He continues encouraging open conversations about mental health instead of avoiding them. 

One of my favorite moments of the entire night was when he told everyone to turn to the strangers next to them and say, “Hello motherf***er,” and then, “I love you.” It sounds ridiculous, but in that moment, it actually felt genuine. For a few seconds, thousands of strangers became one giant family. 

The concert ended with “Zombie,” a song inspired by watching his grandmother struggle with alcoholism and slowly losing herself. The song captures something so many people are scared to admit: the fear of becoming a burden, the fear of appearing weak, and the universal feeling that you have to go through your darkest moments alone. But standing in that crowd, surrounded by thousands of other people screaming those lyrics together, I didn’t feel alone at all. 

Cred. Tom Pallant

That’s what made this concert so powerful to me. 

In a world where social media usually only shows people’s happiest moments, YUNGBLUD doesn’t run away from the darker emotions. He dives directly into them. He talks about grief, insecurity, loneliness, anxiety, and self-hatred openly instead of hiding them. And I think that’s exactly why so many people connect with him so deeply. 

By the end of the night, there had been screaming, laughing, crying, and complete chaos. But more importantly, I walked away realizing something I think a lot of people need to hear during Mental Health Awareness Month: 

No matter how alone you feel sometimes, you never truly are


Hit Parader #1: Yungblud Edition

October 2025 — $12.99

YUNGBLUD is bringing the rock star back to rock. At just 27, the British firebrand stunned 45,000 fans and the world at Ozzy Osbourne’s farewell show with a jaw-dropping, emotional cover of “Changes.” Critics and legends alike are calling it one of the greatest live performances of the past 25 years. In a genre starved…